Manaadiar's Website

Cow’s milk vodka anyone..??

Man : How’s a double milk on the rocks ekse !!
Bartender : Ey what you chooning bru..!! No such thing ere
Man : Get With The Program larney – read what these ou’s in New Zealand have made now..

Vodka made from cow’s milk makes international debut

Relaxnews | 15 January, 2014 08:52
Milk Money Vodka
Photo courtesy of Milk Money Vodka – See more at:

Until man figures out how to turn water into wine, New Zealand dairy farmers have come up with a way to turn cow’s milk into vodka.

Set to hit liquor store shelves across the US this winter, Milk Money Vodka is twice distilled from milk and twice filtered for an end product described as a “full-bodied light cream taste.”

At 40 percent alcohol by volume or ABV, the liquor is said to end with a “sweet clean finish” and is gluten-free.

Interestingly, the product’s target market is females within the agricultural community ages 21 to 45, says Leche Spirits.

The product will debut in New Mexico and Colorado in the next few weeks, followed by other Midwestern states including Wisconsin, Nebraska and Minnesota.

Meanwhile, it’s not the first time farmers have tried to turn cow’s milk into vodka. When Black Cow Vodka was launched out of Dorset, England last year, the spirit was touted as a world first. Made from the whey of cow’s milk, the premium vodka is sold at high-end UK retailer Selfridges.

Meanwhile, instead of the traditional potatoes or grains, Ciroc vodka — peddled by rapper Diddy — is made from French grapes.

A 750-ml bottle of Milk Money Vodka retails for $19.99 USD.

So you see, soon you can choon that you having milk at the bar and be right :D

Let’s all hustle for ANC..!!!!!

Interesting article I came across in the Mail & Guardian about ANC’s election campaign.. Sad to see how Mandela’s ANC is going about doing things.. So much for all the talks about following Madiba’s legacy..

Is the ANC really telling us to ‘step up for our hustle’?


The ANC’s latest campaign may inadvertently reveal more about the ethos of certain leaders in the party, writes Verashni Pillay.

The ANC's 'step up for your hustle' election campaign posters in Braamfontein draw some serious questions. (Luke Hutchinson)

The ANC makes it too easy for its critics sometimes.

I know what the Songezo Mjongiles of this world say: how we, the neo-liberal, fascist what-what media, have always had it in for the ruling party, and God help the planning minister who says otherwise.

And so I tried to keep quiet as long as I could about their latest boo-boo. But the fact is that it is there for everyone to see, on posters and billboards across the country.

In the party’s economic heartland of Johannesburg, it hits you as you curve up on the Queen Elizabeth bridge, the less attractive cousin of the Nelson Mandela bridge that connects the CBD with the rest of the city. Emblazoned across building fronts as you cross the bridge are large versions of the party’s “step up” campaign, clearly designed to reach that elusive young voting market everyone and Julius Malema are after.

You’ll find the posters everywhere across the country, particularly on street poles. It features a series of young South Africans whose black and white head shots are set against the ANC’s distinctive yellow along with a slogan beginning with the phrase: “Step up”.

A bald woman tells you to step up for your individuality. One with a loose afro tells you to step up for your diversity. Another in a Muslim head scarf tells you to step up for your beliefs. So far, so typecast. Then it happens. Forget the white guy in a collared shirt telling you to step up for your views, my eyes are always riveted by the black guy in a hoodie telling me to “step up for your hustle”.

Really, ANC?

I don’t know about you, but everything I know about hustling I learned from Miami rapper Rick Ross. In his 2006 song Hustlin’, Ross talks about the cocaine traffic network built up by his namesake, notorious convicted drug trafficker “Freeway” Rick Ross. The song references a number of other well-known drug dealers for good measure around its distinctive chorus featuring the line: “Every day I’m hustlin’.”

Think that’s just one man’s opinion about the term? The Oxford English dictionary has the traditional definition of hustle as to “push roughly” or “jostle”. It also includes a secondary informal definition: to “obtain illicitly or by forceful action”.

No wonder the music group LMFAO changed the lyric to “Every day I’m shufflin’” when they incorporated Ross’s line into their 2011 song Party Rock Anthem.

The ANC, however, opted to use a dubious term associated with young South Africans: the very group every investor is worried about as their employment levels plummet and their drop-out rates from tertiary education rises. When we talk about a ticking bomb of discontent among this group, we’re not kidding

They’re also the group that are tempted by a glamorous hip-hop culture that often tells them hard work and toeing the line is for pussies, and making it big means breaking the rules. And they are the same group that must look to an increasingly morally impoverished political leadership for influence.

What exactly does “stepping up for your hustle” mean in this context? We have a president who is increasingly defined by the scandal surrounding the use of up to R206-million of public funds on “security upgrades” at his private residence, with such outrageous items as what appears to be a swimming pool recast as a fire-fighting tool to justify its existence on a security budget. Is this an example of hustling? Twisting the truth, cheating the system and trampling those at the bottom to come out on top?

It’s no secret that increasingly the ANC, once a strong liberation movement, is being dragged down by opportunists whose primary pursuit of power in the party is to access government positions, and thus illicit self-enrichment opportunities. Of course, not all leaders in the party are like this, but there are too many who end up being tempted that way.

There is also the worrying issue of racial type-casting in the campaign. The use of identity in all the posters has some connection to the slogan, the most obvious of which is the Muslim woman and the theme of belief. The choice of a young black man in a hoodie for the theme of hustling is then no coincidence, and is a little stomach-churning. Is this what our government thinks young black men in our country aspire to? Hacking their way through life and taking short-cuts at best, or breaking the law at worst? And are they actually encouraging that behaviour?

Because something tells me that they’re hardly using the original definition of that word. Because stepping up to push others out the way is nearly as bad.

In honor of the man who could not cry – Bono’s tribute to Nelson Mandela

I have reproduced a moving tribute article from Bono about Nelson Mandela published in Time World.. The best tribute about Mandela I have read thus far..Thought i should share..

Bono Honors The Man Who Could Not Cry

Humor, humility and the ability to compromise were the marks of the man

As an activist I have pretty much been doing what Nelson Mandela tells me since I was a teenager. He has been a forceful presence in my life going back to 1979, when U2 made its first anti-apartheid effort. And he’s been a big part of the Irish consciousness even longer than that. Irish people related all too easily to the subjugation of ethnic majorities. From our point of view, the question as to how bloody South Africa would have to get on its long road to freedom was not abstract.

Over the years we became friends. I, like everyone else, was mesmerized by his deft maneuvering as leader of South Africa. His cabinet appointments of Trevor Manuel and Kadar Asmal were intuitive and ballsy. His partnership with Sowetan neighbor Desmond Tutu brought me untold joy. This double act—and before long a triple act that included Mandela’s wife, the bold and beautiful Graca Machel—took the success of the anti-apartheid fight in South Africa and widened the scope to include the battle against AIDS and the broader reach for dignity by the poorest peoples on the planet.

Mandela saw extreme poverty as a manifestation of the same struggle. “Millions of people … are trapped in the prison of poverty. It is time to set them free,” he said in 2005. “Like slavery and apartheid, poverty is not natural. It is man-made and it can be overcome … Sometimes it falls on a generation to be great. You can be that great generation.” It certainly fell to Mandela to be great. His role in the movement against extreme poverty was critical. He worked for a deeper debt cancellation, for a doubling of international assistance across sub-Saharan Africa, for trade and private investment and transparency to fight corruption. Without his leadership, would the world over the past decade have increased the number of people on AIDS medication to 9.7 million and decreased child deaths by 2.7 million a year? Without Mandela, would Africa be experiencing its best decade of growth and poverty reduction? His indispensability can’t be proved with math and metrics, but I know what I believe …

Mandela would be remembered as a remarkable man just for what happened—and didn’t happen—in South Africa’s transition. But more than anyone, it was he who rebooted the idea of Africa from a continent in chaos to a much more romantic view, one in keeping with the majesty of the landscape and the nobility of even its poorer inhabitants. He was also a hardheaded realist, as his economic policy demonstrated. To him, principles and pragmatism were not foes; they went hand in hand. He was an idealist without naiveté, a compromiser without being compromised.

Surely the refrain “Africa rising” should be attributed to Madiba—the clan name everyone knows him by. He never doubted that his continent would triumph in the 21st century: “We are not just the peoples with the oldest history,” he told me. “We have the brightest future.” He knew Africa was rich with oil, gas, minerals, land and, above all, people. But he also knew that “because of our colonial past, Africans still don’t quite believe these precious things belong to them.” Laughing, he added, “They can find enough people north of the equator who agree with them.”

He had humor and humility in his bearing, and he was smarter and funnier than the parade of world leaders who flocked to see him. He would bait his guests: “What would a powerful man like you want with an old revolutionary like me?”

He could charm the birds off the trees—and cash right out of wallets. He told me once how Margaret Thatcher had personally donated £20,000 to his foundation. “How did you do that?” I gasped. The Iron Lady, who was famously frugal, kept a tight grip on her purse. “I asked,” he said with a laugh. “You’ll never get what you want if you don’t ask.” Then he lowered his voice conspiratorially and said her donation had nauseated some of his cohorts. “Didn’t she try to squash our movement?” they complained. His response: “Didn’t De Klerk crush our people like flies? And I’m having tea with him next week … He’ll be getting the bill.” (On other occasions, I heard Mandela praise the courage of F.W. de Klerk, the last President of apartheid South Africa, who had his own prison to escape: the prejudice of his upbringing. We should not forget his role in this historic drama).

Mandela lived a life without sanctimony. You try it; it’s not easy. His lack of piety helped him turn former foes into friends. In 1985, U2 and Bruce Springsteen responded to Steve Van Zandt’s call to lend our voices to an artists-against-apartheid recording titled “Sun City.” Sun City had been set up on the border of Botswana to bypass the cultural boycott of South Africa. Sol Kerzner’s casino there had become a pretty busy venue. Years later, when I chastised the music producer Quincy Jones about his friendship with Kerzner, Quincy replied, “Man, you know nothing about Mandela, do you? He wasn’t out of jail seven days before he called Sol Kerzner. Since then, Sol has been one of the largest contributors to the [African National Congress].” I felt like one of those Japanese soldiers who came out of the jungle in the 1950s still fighting World War II.

Laughter, not tears, was Madiba’s preferred way—-except on one occasion when I saw him almost choke up. It was on Robben Island, in the courtyard outside the cell in which he had spent 18 of his 27 years in prison. He was explaining why he’d decided to use his inmate’s number, 46664, to rally a response to the AIDS pandemic claiming so many African lives. One of his cellmates told me that the price Mandela paid for working in the limestone mine was not bitterness or even the blindness that can result from being around the bright white reflection day after day. Mandela could still see, but the dust damage to his tear ducts had left him unable to cry. For all this man’s farsightedness and vision, he could not produce tears in a moment of self-doubt or grief.

He had surgery in 1994 to put this right. Now, he could cry.

Today, we can.

Read more: Bono Honors Madiba, The Man Who Could Not Cry |

My tribute to Native American Indians

I CAME on A STEEDnatamimage winter country
winter rideI of ANCIENT CREED
me of such DIVINE grace

my ART was so NEAT
have you seen my DANCE beat..??
AT my TIMES of feast

I used to RIDE the CREST
oblivious to the REST
until came along MEN of A RACE
to try and break my pace

they came from the SIDE
their remarks Oh so SNIDE
our RIDERS they did SMITE
although we tried with our might

IN bravery they DID not RISE
neither did they fight wise
guns they used as a surprise
to stop the uprise

with each time a good guise
we did hit them hard twice
against us they did use VICE
in the form of liquid from malt and RICE

our faces with paint they made us SMEAR
to make their ends come NEAR
round the fire they made us DANCE
change they will not their STANCE

they did commit a CRIME
took our lands without A DIME
cut down they did our TREE
under which we lived FREE

I saw our CADRE DIE
Oh white brother why do you VIE
look at what you have made
you surely deserve the name of SADE

you call me a savage
but my land you did ravage
DID you look INNER..??
I AM not the SINNER..

our MEDICINE we could not SEND
thereby, our DREAMS they did END
there ain’t no more empty plains
where I rode my STEED holding no REINS

now you take my REMAINS
and sell them via mails
your mind is full of MIRE
there is nothing in you to ADMIRE

PS : Wondering why some words are in CAPS and rest are not..?? The words in CAPS are derived from the title NATIVE AMERICAN INDIANS..